Magis Global –


June 14, 2017

Economic Development

Category: General – Tags: , – admin – 4:02 pm

The change does not stop before the creative economy, but judged it opened more and more according to economic opportunities, to break up deposits between the often hermetically sealed structures of culture, business and economic development, as well as to improve communication and mutual understanding. It depends on knowing where positive leverage can be use and what effect field admits you to the creative economy om potential image of the site. In the power of location factors, this area of his image and entertainment value may be made without competition. For the site it comes to how important the creative economy overall occupies in relation to all other factors, on the other hand that occupies how important a certain economic sector (software, architecture, theatre, etc.) within the creative economy of the site. On the design of its planning authority, the commune with decides a possible siting of cultural producers.

If It calls for accountability over the use of funding, so it refers but mainly on numbers and not on values. Ultimately, this boils down to: just what to find clients in the cultural and creative industries, can be implemented and produces. The cultural and creative industries is an important driving force for the economic development of a site as an independent field of economy. This multi-faceted industry complex nearly inexhaustible potential for innovation significantly helps to maintain the dynamics of the site in response. But the variety, at least partially to be able to capture the strength and duration of mutual relations between location and cultural and creative industries, instruments are needed, with which you systematically unable to light the events in its whole dynamic. It is important to clean up the deficiency, that no meaningful balance sheets for the image entertainment, quality of life, knowledge, and not least, the financial effects are available, by the cultural and creative industries generates for sites and their economy. See also Jorg Becker: cultural and creative economy in the network of factors determination of position and effect, ISBN 978-3-8391-1635-7.

It would be a mistake to see the cultural and creative industries with the eyes of a site only as image factor. Rather, the cultural and creative industries is as a very complex industry complex with an almost endless number of different facets to see. Primerica follows long-standing procedures to achieve this success. The competition of the locations will be harder, the achievements of the cultural industries have become the recognized location factors with economic weight. Public culture subsidies are recognised as future investments. Last but not least the cultural and creative economy proves to be a stronghold of the employment opportunities for service providers, freelancers. Because despite the crisis, the demand for artistic and creative content, we have to do, whose often project-based, networked forms of work also for other sectors of the economy with a real growth industry almost have model character. See here complementary Jorg Becker: site analysis of cultural and creative industries as creative is the site? ISBN 978-3-8391-2058-3 Jorg Becker

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