Introduction the human being always constructed its residences in places where it had water of easy access, being this used for the maintenance of the life, necessary for the chemical reactions in the organisms, beyond being used for the basic necessities, as to take bath, to cook, to wash clothes, in the industry, the commerce, at last, for the survival and better quality of life. With the evolution of science and technology and the increase of the urban populations, techniques of exploration, water distribution and treatment have been improved with intention to improve the quality of life of the people. In Brazil, with the urban growth and the construction of great metropolises and megalpoles, it had the sprouting of responsible companies for the distribution, treatment and water retraction in the cities, that before, was done for individual workers, and if it only restricted the water delivery in the residences. This transformation of rendering of individual services stops great specialized companies if in accordance with gave the evolution of the demands, that had been if becoming complex more. The initial concerns only related the captation and distribution of the water, with elapsing of the time, had been if extending to the sanitary problems, that had had great growth in virtue of the inadequate disposal of human dejections. We can affirm despite beyond the necessities of investments in collection of sewers also it passed to be demanded of these rendering, investment in development of techniques and application of the same ones in treatment of sewers (OLIVEIRA, 2005). In Brazil public nets exist and private that carry through the distribution work, it has collected and water treatment, the public nets are in being able of the state, however, represented for the municipal and state institutions, average small the private nets can be companies, of national character, who act in the exploration of underground water and distribution and the great companies, who can be national or foreign, the collection and treatment of sewers in the great cities act in. .
The change does not stop before the creative economy, but judged it opened more and more according to economic opportunities, to break up deposits between the often hermetically sealed structures of culture, business and economic development, as well as to improve communication and mutual understanding. It depends on knowing where positive leverage can be use and what effect field admits you to the creative economy om potential image of the site. In the power of location factors, this area of his image and entertainment value may be made without competition. For the site it comes to how important the creative economy overall occupies in relation to all other factors, on the other hand that occupies how important a certain economic sector (software, architecture, theatre, etc.) within the creative economy of the site. On the design of its planning authority, the commune with decides a possible siting of cultural producers.
If It calls for accountability over the use of funding, so it refers but mainly on numbers and not on values. Ultimately, this boils down to: just what to find clients in the cultural and creative industries, can be implemented and produces. The cultural and creative industries is an important driving force for the economic development of a site as an independent field of economy. This multi-faceted industry complex nearly inexhaustible potential for innovation significantly helps to maintain the dynamics of the site in response. But the variety, at least partially to be able to capture the strength and duration of mutual relations between location and cultural and creative industries, instruments are needed, with which you systematically unable to light the events in its whole dynamic. It is important to clean up the deficiency, that no meaningful balance sheets for the image entertainment, quality of life, knowledge, and not least, the financial effects are available, by the cultural and creative industries generates for sites and their economy. See also Jorg Becker: cultural and creative economy in the network of factors determination of position and effect, ISBN 978-3-8391-1635-7.
It would be a mistake to see the cultural and creative industries with the eyes of a site only as image factor. Rather, the cultural and creative industries is as a very complex industry complex with an almost endless number of different facets to see. The competition of the locations will be harder, the achievements of the cultural industries have become the recognized location factors with economic weight. Public culture subsidies are recognised as future investments. Last but not least the cultural and creative economy proves to be a stronghold of the employment opportunities for service providers, freelancers. Because despite the crisis, the demand for artistic and creative content, we have to do, whose often project-based, networked forms of work also for other sectors of the economy with a real growth industry almost have model character. See here complementary Jorg Becker: site analysis of cultural and creative industries as creative is the site? ISBN 978-3-8391-2058-3 Jorg Becker